Creating Memories While Constructing a Lasting Tribute During the 2017 Mosaic Marathon

Guest Blog by our friend Sue Majewski (SAMA member and Marathon Coordinator)

Shared with Permission of the Society of American Mosaics Artists

Finished mosaic mural created by the Society of American Mosaic Artists
Photo: Sue Majewski

2017 Mosaic Marathon

Mural created at the Society of American Mosaic Artists (SAMA) Annual Conference, Detroit, MI; and installed May 8, 2017 at the Children's Hospital of Michigan

When you have a friend like mine, one that inspires and impresses you with her kindness, whimsy, exactitude, and infallible attitude, you tend to stick close. Knowing every time you're together, you teach each other about life, love, and mosaics. What could be better? 

Then this wonderful friend starts talking crazy about the 2017 SAMA American Mosaic Summit in Detroit. “I'm gonna do it! I may be going through the most intense personal issues right now, but, by golly, I'm gonna make this happen! I'm gonna devote all my efforts into making this a reality. Are you coming along?" Really, who could hesitate?! 

Crazy talk, maybe. But how can you not support Joan Schwartz when she looks you right in the eye and says “I really could use your help here.” Okay, I’m in. What’s it gonna take? “I need you to head up the Mosaic Marathon.” Al-righty!

Joan Verdiano
Photo by Tim Stassines 

My good friend, Detroit artist Grace Serra, has worked as a public art coordinator and art educator for almost 30 years. She began the Children's Hospital of Michigan (CHM) Healing Arts Program in 2004, and listened carefully when I described a project that about 250 of my closest, most talented friends could work on together, ultimately donating the handmade piece to a final recipient. 

She guided me to CHM (dedicated since 1886 to providing the highest quality of care to children and adolescents and the first children's hospital in the state) which was building a new emergency entrance that included a long, blank wall, which would be viewed by children coming out of triage and into bays for further treatment and evaluation. It was decided that by creating an uplifting subject, they might be calmed as they continued their journey to improved health. The illustrative theme throughout CHM is safari animals. During my first visit there I found beautiful, colorful murals of different wild animals at each level of the parking structure. In the hospital, each floor is designated by a different animal. Using this information, I drew up a cartoon based on the available 48” tall by 96” wide space.

The Mosaics Artists of Michigan (MAM) is a unique group of like-minded folks from all over our beautiful state. The combination of talent, creativity, and personality is evident at every second-Saturday meeting. Every other year or so, we take on a project—a collaboration— for donation. So when I started calculating the amount of work involved in producing this mural, I knew I could count on our group to get things done.

First, we prepared the substrate by tracing the full-sized patterns on three panels of wallboard with marker. Then, we used a fourth sheet to cut out additional pieces that would define certain aspects by emphasizing depth. I used my jigsaw, set at a 45-degree angle, to cut them out, after which they were adhered with thinset to the base panels. Many of our members were there in the final hours of preparations, helping to ensure a result we were all proud of. Their help and devotion will always be remembered.

Kim Wozniak of Wit’sEnd.com and Smalti.com donated all of the Mexican smalti. In estimating colors and quantities beforehand, I found it was easiest to simply order mixes—blue mix for the sky, green mix for leaves, etc. Kim also donated her personally designed frames for the finished panels which her son, Jesse, helped assemble. 

LATICRETE International also sponsored the Mosaic Marathon, donating SPECTRALOCK® PRO Grout (epoxy grout), as well as Glass Tile Adhesive (non-sag, polymer fortified adhesive mortar that is specifically formulated for use in glass tile applications), which was individually mixed and used to apply the smalti to the wallboard panels. 

Starting Tuesday, May 2, I set everything up in the Duluth Conference Room of the Detroit Marriott at the Renaissance Center and we were officially ready for our volunteers to begin the Marathon.

Photo by Tim Stassines 

The atmosphere was one that Marathon volunteers have come to expect—sharing techniques, making new acquaintances, catching up with old friends, and mingling the sound of laughter with the snapping of tiles. We worked long, hard hours, determined to complete it on time. And we did!

Photo by Tim Stassines 

I am so very proud of this project. From start to finish I was honored and humbled by the faith everyone had in us and the fabulous time we had, creating memories while constructing a lasting tribute from our talented SAMA friends to our city. What a great experience—definitely a bucket list week for me! Meeting my ‘mosaic crushes’ and spending time connecting with creative personalities from all over the world! 

Sue Majewski sits in front of the finished piece
Photo by Tim Stassines

Much gratitude and positive, creative energy from me to all of the productive, imaginative souls we were able to share our time with. 

Born and raised on the east side of Detroit, Sue Majewski completed a graphics degree at Wayne State University. Art has always been a passion and creating mosaics was an easy transition, having dabbled in every other media available. “Once I created my first mosaic, I knew I was hooked.” Acquiring a kiln enabled Sue to create her own handbuilt pieces, offering even more variety to her style. sumajetski@yahoo.com

Video - Why Use a GOOD Tile Adhesive ?

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JobSite Prep

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Laticrete and Dessert Compared - A Short Vignette

Message from a friend:

In the outdoor atrium at the street level of the building housing my office, some large granite tiles (about 3' x 3') were being replaced today.  A bag of Laticrete Gold was standing there among industrial-sized buckets, a grinding wheel, and other tools, objects, and materials to be used for the job at hand.  These are all observable in the attached photograph.  I have set forth below the dialog in which I asked for permission to take this photograph.  

“Excuse me, sir,” I said to one of the two workmen on the job site.  He was standing behind his colleague, the latter of whom was kneeling at the side of the square depression into which a new tile was to be placed and placing dabs of a white paste on top of a neatly spread, dark brownish grey, thin layer of mortar.  The new tile is visible in the upper right hand corner of the attached photograph, and the depression being prepared for that new tile is in the upper left hand corner. 

"Sorry to bother you,” I apologized once I had the attention of both workmen.  

The white bag among the various objects on the job site observable in the foreground of the attached photograph was covered with neat blue lettering and the rectilinear logo I have learned to look for at any tile job I pass here in Manhattan or any other place in the world.  “Ahh!” I happily exclaimed to myself.  Pointing to it,  and making eye contact with the man standing, I asked “Is that Laticrete?"

“Yes,” the man standing replied.

“Is that stuff any good?” I went on to further ask.

“Yes,” he immediately responded.  “The best!”  

He was about to say something else, but then paused, seeming troubled by his very quick reply.  Another second or two passed by before he recanted.  "There’s only one better than it.”

“Really?” I said with an inquisitive tone. “What product is that?”

“It’s called ‘Platinum’.”  

Hearing that, the workman who was preparing the depression for the new tile, like a baker dabbing tufts of whipped cream on top of a chocolate cake, looked up to nod his agreement with his colleague’s comment about the Platinum product.  The kneeling man's quiet affirmation reminded me of how the always muted, 5’9” Teller silently indicates his agreement with his 6’6” partner Penn on a Las Vegas nightclub stage.

Looking at the bag and processing the fact that its label said “Gold”,  I said “Oh!  Platinum.  I get it!  I guess that is also from Laticrete.”

“Yes,” came the standing workman's ever quick reply.

“Do you mind if I take a photograph of it?”

“No. Go right ahead,” he said invitingly, while snatching the bag from the objects in which it was nondescriptly standing and moving it to a more prominent position by itself on the flat, ground-hugging cart that he and his partner were using for moving to and fro’ their building materials and tools.  “You can buy it at a place uptown,” and he continued to tell me the name of that place and its address.

But looking at the time on my smartphone – which popped onto its screen after I popped the attached photograph – I realized I was running late to my luncheon appointment, and the name and address of the tile place uptown bounced off my ears like a poorly shot basketball bouncing off the rim of a basket.

“Great!” I exclaimed.  “Thank you!”

I turned to continue on to my luncheon appointment, with the newly planted taste on my mind’s palate of a dessert of rich chocolate cake adorned with dabs of freshly whipped cream.

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Basic ThinSet Adhesive

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New Bag in Australia

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Great thin set adhesive, new bag design

Thinbed & Medium Bed Adhesive Mortar

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